Black Madoona/Ye Maryam menged

Leykun's art transcends societal constructs and focuses on the essence of humanity, emphasizing our shared experiences and emotions. By removing the external markers of identity, Leykun invites viewers to connect with the universal aspects of the human condition.

In Leykun's artwork, religious symbols, racial features, and cultural attire are intentionally omitted or blended together, creating a harmonious representation of humanity. This deliberate choice allows the viewer to see beyond superficial differences and instead appreciate the commonalities that bind us all.

The absence of judgment in Leykun's art encourages viewers to embrace empathy and understanding. Without the distractions of external appearances, the focus shifts to the emotions and expressions depicted in the figurines. This allows for a deeper connection.

The Black Madonna is a term used to describe depictions of the Virgin Mary with dark or black skin. These images are found in various religious traditions, particularly in Catholicism and Eastern Orthodox Christianity. The symbolism of the Black Madonna is rich and multifaceted, encompassing both religious and cultural significance.

One interpretation of the Black Madonna is that it represents the universality of the divine motherhood. The question of representation in religious iconography extends beyond the Black Madonna to encompass all races and ethnicities. Historically, religious art has predominantly featured white figures, reflecting the dominant cultural and racial norms of the time. This lack of diversity in representation has been a subject of criticism and calls for change.